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Try to give a broad definition of klezmer music is a difficult task. Originally, it was the music of Jewish communities who lived in Eastern Europe centuries ago.
It is a floating dance music to accompany the events of social life Jewish as weddings and holidays. Klezmer music is able to express and embrace the human passions and feelings of bliss to sadness, from laughter to tears.
In truth, the word klezmer is the juxtaposition of two Hebrew words, "kli" and "zemer" which respectively mean instrument and singing, klezmer music is word for word, the instrument of the song, the voice of the ship.
Klezmer was played by itinerant musicians traveling shtetl to shtetl (the Shtetl is a Yiddish word that means village), trying to earn a living exercise of their profession. There was many musical genres that have influenced klezmer music, such as Hazanut (synagogue chant), reproducing the bending of the human voice, the Hasidic nigunim (songs without words), folk dances, folk songs, or solemn hymns before prayers.
From time to time Klezmorim (plural of klezmer, which means that Klezmer musicians) were invited by non-Jewish local nobles who were asked to play popular contemporary tunes. Therefore, the musicians played klezmer local directory, such as Hungarian, Bulgarian, Bessarabia, Romanian, Moldovan, Ukrainian, Russian, German, Polish …
Klezmer music was so inspired by the non-Jewish traditions and cultures, but other local musicians of every region and country were in turn influenced by the klezmer.
There is some confusion in the general term klezmer, firstly it is intended to designate musical instruments themselves. At some moment occurred semantics merger between the musician and his instrument, and klezmer began to tell the artist playing the instrument. Only in the thirties of last century that Beregowsky, musicologist, has used the word to refer to klezmer music.
Klezmer music was brought to Western Europe and North America by immigrants who fled persecution and pogroms in the late 19th century. In the early 20th century there was a flowering of Yiddish culture and klezmer clarinet thank you to musicians such as Dave Tarras and Brandwein Naftule. They were both clarinet virtuoso each in his own style and they were major contributors to the vitality of Jewish life and klezmer music in America.
From the thirties to the seventies, the klezmer is out of Limelight. Why klezmer sink into oblivion were multiple. Among them were the Holocaust, six million Jews were murdered, the emergence of new styles of music, jazz, rock and roll, much more attractive to young people looking for new ways of expression, and paradoxically, when the new State of Israel was created in 1948, Klezmer has been put aside because people wanted something evocative of revoking the Holocaust and bad days.
It is in the seventies that some precursors musicians like Andy Statman, Henry Sapoznik, Zev Feldman, Hankus Netsky and Klezmorim "in the U.S. and Giora Feidman on the European continent, began the so-called "klezmer revival".
Since the popularity of klezmer music is thriving continuously and is loved and appreciated by those Jewish and in any part of our global world.
About the Author:
Arik Nitsan is an Israeli klezmer clarinetist and an expert author who writes regularly about klezmer music and klezmer events. You can find a lot of information by visiting his website
clarinet and klezmer
located at
http://www.clarinet-klezmer.com
Article Source: ArticlesBase.com – Discover What is Really Klezmer Music
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